Thursday, July 25, 2013

Hola Venky! News

Hola Venky Namaste,

The edit for Hola Venky!, my second feature film has started. I am working with the same editor Shreyas Beltangdy who worked with me on Love, Wrinkle-free. Looking forward to all the challenges that this process throws up. Especially so since this particular film was shot in Canon5d with a 3 member crew, very basic or no lights, and except for the main leads, I have worked with actors who have never worked in films before.

Will be fun, this next 2-3 months. Would like to thank all the friends in US who opened up their homes and heart to us to shoot in, without whom this movie was not possible. I remember telling my friend Giju that we can get this movie done in 10 lakhs and he was taken aback in the beginning, not very sure. But i convinced him, telling him that if he covers the US expenses, I will cover the rest of the cost, by getting in more co-producers. Today I am glad to say that we have managed to get interesting investors onboard. Hola Venky thus becomes a Co-production of like-minded people...:)

Maybe I will write about certain interesting moments during the making of the movie in the subsequent posts...just for fun

Keep supporting always, and thanks
Visit www.facebook.com/holavenky and Like it if you have some time:)
Sandeep Mohan

Monday, July 1, 2013

Baddie me



Hey,

Had an interesting weekend where I lost in the finals to a ex-India national player in a Mumbai Indoor Badminton tournament. Had a smooth ride into the Finals defeating 5 players along the way, with the Semis being the toughest. Realised that I have a few areas to work on if I am going to defeat these National level players, present or ex!!! This is the Second Singles tournament this year that I have lost in the Finals. I had lost in the finals of the Mumbai Games where I had lost to a India Junior Player. So now I have got 2 Silver Medals this year:) I am not a big fan of Gold as a metal, but I don't mind winning one of that medal soon...but guess, i will have to work on my weaknesses and come back stronger....plan to do that. Forrest Gump, you are my inspiration:)

Badminton really helps me a lot in my filmmaking career too since that helps me get a perspective about life. Otherwise, too much emphasis on films alone can get boring after a while. The combination of writing for films, directing and badminton, plus of course the other things that I do in life give me a sense of balance, and through this, i hope to find interesting perspectives that I can probably express/explore through my films....Also, it is nice to hang around fellow sports enthusiasts who are more interested in talking about net dribbles and backhand clears than those guys who are constantly talking to you about films and filmmakers.

Thanks and enjoy your day. Meanwhile the edit of my feature film 'Hola Venky" is set to commence soon...we are transferring and syncing the sound etc at the moment. Me and my editor Shreyas are working out a way before we jump into the deep end:)

take care
Sandeep

Finished the First Cut of 'FIN'



Hay Friends,

We have finished the first cut of the short film that I have done which will a part of the Feature Film "X". This is a collaborative film where 11 filmmakers have come together to create one film. My film is called 'Fin" and I shot it in US itself while I was there for the shoot of my indie feature "Hola Venky".

Essentially, we shot the short film in one and a half days. Richa Shukla, an actress from LA, joined us and it was fun. I also doubled up as the cameraman for this short film since the script needed that kinda treatment. It was fun.

Will keep you guys updated about the latest developments on this


Take care and smile
Sandeep

Monday, June 3, 2013

Mumbai shoot of Hola Venky from the 17th June

Hey,


Plan to be more regular with updates about my life and my movies here...We are done with the US schedule of my second feature film "Hola Venky". The India schedule will start on the 17th June and end on the 20th June...Roger Narayan, the lead actor will be in India for the shoot. The film has been shot with a 3 member crew - No Assistants, No lighting team, No Frills.

Keep supporting and I will keep updating about the process right here...maybe write a detailed blog about I am going about the film

take care and Hola Venky guys:)
Sandeep

Monday, March 25, 2013

Shooting of Hola Venky from 24th April



Hay,

Have not blogged for a while. I am ready with the script of an experimental comedy that I intend to shoot from the 24th of April in the US. The film is called "Hola Venky!".

Will keep posting more info here and everywhere...

Thanks and keep supporting indie intiatives

Sandeep

Sunday, August 12, 2012

New interview...artisticinclination.com

Love gets Wrinkle Free with Sandeep Mohan



 (You can read the full interview at http://artisticinclination.com/sandeepmohan/)

Every film-maker has a story to share and so does Sandeep Mohan. Making his debut into bollywood with his an anti-ageing comedy ‘Love, Wrinkle Fee’, he is constantly striving hard to change the film making scenario in India. Sandeep Talks to AiN about his latest movie ‘Love Wrinkle Free’ and other projects.


AiN: When, in life, did you decide to follow directing as the path you’d take as a storyteller?
Sandeep: At around 21. I wandered into it. Never planned or dreamed as a kid that I will one day be a writer/director. Had a lot of questions in my mind, and I guess this is one medium that allows you to explore this.
AiN:  How did you get the idea to write the script for ‘Love, Wrinkle free’? What was your biggest fear
before starting it?
Sandeep: Love, Wrinkle-free evolved from my observations about Urban Indian society. Living in cities, I could sense that people are getting excessively obsessed with the way they look, and the ‘external’ self was getting way too much importance. This too, in a country which prided itself on ‘inner-growth’. Slowly a story started forming in my mind as I set about to explore this theme in a light-hearted tone, and thus Love, Wrinkle-free took form…
Fear? Well, many, but I didn’t let that hold me back. The biggest fear must have been the fear that I would run out of fuel since the process of indie filmmaking is so hands-on that you need lots of mental and physical strength. I am glad that it worked out and I was able to motivate myself to go at it..
AiN: You couldn’t have a better star cast than this. Both Ash Chandler and Shernaz Patel is top notch.How did you go about assembling such a cast? Was it as simple as a phone call away?
Sandeep: I had these actors in mind and gave them the script, and they were very keen to be part of it. Nothing in filmmaking is simple as a phone call away, you got to understand that. You need to be constantly at it to convince people that what you are dreaming about is actually going to happen and that too in a particular way. I had to communicate my vision to the actors for them to get excited that they are part of something unique. I am glad I approached these actors since they gave their heart out for this movie. Now they are friends for life.
AiN: The film is in English, did that limit the number of audiences?
Sandeep: India is the second largest English speaking country in the world. Yeah, we don’t speak the way Americans or the British do, but we have our own way of communicating in English. Love, Wrinkle-free is an Indian-English movie, and since the movie is set in Goa and in a Roman Catholic world, I thought it apt to keep it in Indian English. A Tamil movie or a Bengali movie also has a limited audience, but that doesn’t mean they have stopped making movies. Similarly, a movie in India in Indian English does have an audience, and the challenge is ‘how to reach out to them’. The language is not the issue. Love, Wrinkle-free will appeal to those people who like sensible, light-hearted movies, and it was very well-received by this section of the audience when it released in 10 cities in India in May.
AiN: In order to secure funding you need to have a known actor and in order to get a known actor
you need sufficient funding. What do you have to say about budget constraints? Can the film be
funded on the basis of concept alone?
Sandeep: Funding for an indie movie is difficult all over the world. Nothing is easy. But it is not just in movies. Climbing Mount Everest or even a smaller hillock comes with some amount of effort. So you trust that your passion for the story that you want to tell will drive you and get you to a point where you have enough funds to start the movie. I never had ideas like I need well-known actors since for me the Super star is the ‘Script’. Everybody else is secondary. A film can be funded on a good script, and a good team. You have to set your expectations accordingly. I never wanted to become famous or wanted the world to sit up and clap. I just wanted to tell a story through Love, Wrinkle-free and I did. I am not greedy nor do I have silly ambitions like winning the Oscars. I am just interested in making movies. I know how much money I can raise, and hence I write a script to suit that budget.
AiN: If you could destroy a myth about the film, what would that be?
Sandeep: There are no experts. So listen only to your heart, and don’t let anyone else with more experience or who is older tell you how to make ‘your’ movie. A film is a director’s vision, stick to it. At the same time, take everyone together. Be tactful about this fine balance.
AiN: You have worked as an assistant director for Sanjay Leela Bhansali, written various scripts and
then finally ‘Love, Wrinkle free’. Do you plan on acting in movies as well?
Sandeep: I have no plans in acting in movies. Though I am interested in making documentaries, probably writing a book and possibly playing Badminton tournaments in the near future, before I die.
AiN: Where do you think this film will hold a place in film history in a couple of years?
Sandeep: I have no idea about how history records movies, my job is to write a story and direct the movie. I will just say that they will look at ‘Love, Wrinkle-free’ has one of those films that stuck to its original vision and offered something very unique as compared to the usual fare that comes out. Also it is not necessary for indie movies to be dark, and ‘Love, Wrinkle-free’ is one of those very few Indian indie films that uses a lighthearted tone to drive home its point. Also the international audience also lapped it up in most of the fests and we have managed to sell the movie to some foreign markets too.
AiN: What are the other projects you are working on?
Sandeep: I am at the moment working on a very interesting script which is keeping me very excited. I have a few other scripts which are ready too, but I will come to that when the time is right. In a vast country like India, there is no shortage of stories if you keep your eyes, ears and heart open
AiN: Many aspiring directors never achieve modest success. What do you have to say to young
people out there to get into the film industry?
Sandeep: I am no expert and hence don’t have anything to say to them except ‘Follow your gut’. And don’t get into filmmaking to become famous, all that is the side-effect. Put your everything into the script and go about it with an uncompromising vision. Simple. And most importantly, enjoy your life beyond movies.

Friday, July 13, 2012

An international movie blog interviewed me...Fun!

 This is a prestigious movie blog run by John Gaspard. Original interview can be read here: 
http://fastcheapmoviethoughts.blogspot.in/2012/07/sandeep-mohan-on-love-wrinkle-free.html
(I have copy-pasted it down below, just in case you hate clicking on Links!)




What was your filmmaking background before making Love, Wrinkle-free?
SANDEEP: I had made three short films, directed music videos, written scripts for television and been an advertising copywriter before. Also I started off my career as an Assistant Director to Sanjay Bhansali on a movie called Hum Dil De Chuke Sanam.
Where did the idea come from and what was the writing process like?
SANDEEP: Love, Wrinkle-free is based on my observations of what is happening in Indian cities of late. More and more people are getting obsessed with the way they look and there is a sudden increase in the number of skin clinics and botox centres and what-not everywhere. In a country that prided itself for its focus on "Internal growth" having offered the world the Yoga, this addiction to the “external" was interesting, especially for a storyteller.
The writing process is what I enjoy the most. Since I was unable to concentrate at home, I paid one of my close friends some small money, requesting him to offer a room in his house. He agreed, and I used to go there daily for 2-3 months where I sat and worked on the script of Love, Wrinkle-free without too much distraction. I used to go there at 10am in the morning and be back to my home by 6pm. It was a fun process.
I used to also go and sit in cafes and pubs to see whether what I am working on has any relevance to these guys and gals. Also I started watching middle-aged people more closely to understand what they would be going through and all this, I hope has helped me make an interesting movie

Can you talk about how you raised your budget and your financial plan for recouping your costs?
SANDEEP: After finishing the script, I had started a Blog. Soon one of my close friends from US, Giju John got involved and he wanted to set up a Production Company in India. Then we set up a website and went about the task of inviting people to invest in this project -in a crowd funding exercise. Later on, another friend, Kamal, got involved and soon we managed to raise just enough to make a small budget indie movie which is now successfully running in cinema halls
In India, indie movies find it really hard to stand out. But Love, Wrinkle-free has managed to woo the critics with very good reviews coming out on the first day of the release of the movie. Since there are not many cinema halls playing indie cinema, we will have to recoup our investment from other rights - like Satellite and DVD and Overseas rights. At this moment, talks are on with various people who are interested in acquiring the rights in India and abroad.

What camera did you use and what did you love and hate about it?
SANDEEP: We used the RedOne camera for our 22 day start to finish shoot in Goa.
The reviews which have been coming out are raving about the way Goa looks in the movie, and I am glad no one has even mentioned once that it is Digital! That feels great because that means that the audience has moved on and for them, story and treatment has become more important than the so-called-film look.
The great thing about shooting with RedOne was that since the camera is slightly bulky, most of the crew members treat it like a proper film shoot! Otherwise with smaller cameras, sometimes the crew starts to behave as if they are on a short film shoot. I am sure this is only my opinion and going forward I will use whatever camera that suits my story and budget
Sometimes, this very same factor, the bulkiness of the Redone camera was painful since we couldn't shoot Guerrilla style too much. For instance, if I have to go to market area and shoot, people suddenly become aware that a shoot is on seeing this big camera. So there are pluses and minuses, but overall I am very happy that we chose the RedOne. Love, Wrinkle-free looks beautiful:)
What was your post-production process like and how did it have an impact on the finished movie?
SANDEEP: The editing of the movie happened from my home, in my MacPro. Once my editor Shreyas and I finished with the cut, then we took it out to the Sound studios and Color correction studios. Working on the edit and the Sound is lotsa fun and I am sure we all know that the whole movie takes shape at this stage. Though one can't change the performance of actors, hence it is critical to focus on the performance while on location since a few other things can be worked on and improved during the post.
My whole focus was on telling a simple story, since the budget and time were not there. Even in the edit, all the decisions were taken so as to keep the storytelling simple and smooth.

What was the smartest thing you did during production? The dumbest?
SANDEEP: The smartest thing that I did during production was to not travel in a car! I hired a scooter and traveled from our hotel to location and back. This way, the entire cast and crew realised and believed that we were on a small budget, which was the case. Also, having a scooter helped me since I could take off anywhere after the day's shoot. I used to go and sit at the beach to breathe in positive energy, which I would have exhausted during that day's shoot!
The dumbest thing that I did was to take the reigns of the camera for  20 minutes during a stressful day's shoot when it started raining suddenly and the DOP wanted to stop shooting. I was like a man possessed and told him to give the camera to me and started shooting whatever:) I was worried that I wouldn't be able to finish the movie on time, hence that move. This was kinda dumb I assume!
And, finally, what did you learn from making the film that you have taken to other projects?
SANDEEP: I learned that I have to stay naive about the filmmaking process and be very open to ideas as well as strict when it is required. Also, the director has to lead from the front and a simple, clear line of communication has to be established between the actors, crew and him to make the whole process of shooting exciting for all.