Saturday, June 9, 2012

An article in The Hindu...

Funny folds

From 'Love, Wrinkle-free'
  • From 'Love, Wrinkle-free'
    From 'Love, Wrinkle-free'
  • Sandeep Mohan
    Sandeep Mohan
interview Independent filmmaker Sandeep Mohan's debut comic film Love, Wrinkle-free holds a mirror to our obsession with good looks
Drinking more red wine and less beer apart, directing a feature film topped Sandeep Mohan's resolutions for the year 2010. As a young writer, who had assisted Sanjay Leeela Bhansali on Hum Dil De Chuke Sanam and had written the script of popular TV show ‘Siddhanth', India's nominee to the 2007 Emmy Awards, Sandeep was not clueless about the process of filmmaking but had to gear up for the many challenges. Foremost was finance but perseverance helped the film come through.
Curiously titled Love, Wrinkle-free, which will release on May 25, Sandeep's debut effort stars Ash Chandler, Shernaz Patel, Seema Rahmani and Ashwin Mushran. Set in Goa, Love, Wrinkle-free is a story about Savio, a 38-year-old senior area sales manager who works in an innerwear company. Savio's mundane life gets hit by a bolt from the blue with the unplanned pregnancy of his 46-year-old religious wife Annie. Their adopted teenage daughter Ruth's reactions to this pregnancy and Savio's chance meeting with Natalie, a travel photographer, who wants him to do something unique for her, throws the protagonist off-balance.
In this day and age when corporate funding and big banners/production houses are de rigueur, ask Sandeep why he chose to make an independent film and pat comes the reply, “Having worked as a writer for a few years, I realised that the only way I could get creative control over the film is by going independent. As a writer-director, I bring in my own unique vision based on my life-experiences, and I wanted to stay true to it while telling the story. So in that sense, the decision to go independent was taken even before I wrote the script of Love, Wrinkle-free.”
The story, Sandeeps adds is purely fictional. “My job as the director was to make it believable which I think I have managed to.” Explaining the name of the film, he says, Love, Wrinkle-free is a reaction to urban Indian society's obsession to look young and have a flawless complexion.
Sandeep claims that this is one of the better movies made about Goa in the last 10 years. “Goa is shown the way it is and not as seen through the eyes of a tourist. Love, Wrinkle-free is an entertaining film, made with a lot of heart, and sensible audiences are going to come out smiling from the cinema halls,” he says.
Getting a talented star cast was another challenge. “The casting was done by me. I got in touch with Ash, Shernaz, Seema, Ashwin and Sohrab, and after reading the script, they were so keen to do the film that I didn't have to do too much convincing. I always wanted these actors, and their performances are the highpoint of this comedy.”
And social media chipped in when Sandeep required finances.
“Crowd Funding, as they call it is a boon for people like me. Forty investors from all over the world invested in this film. Since none of these investors get involved in the creative process, it helps you tell a good story,” he says.
Sandeep will soon begin work on his next film based in Himachal Pradesh.

Interview in Scribidomagazine...link

Interview in movieroundup.in

Exclusive Interview: Sandeep Mohan on ‘Love, Wrinkle-free’


Exclusive Interview: Sandeep Mohan on ‘Love, Wrinkle-free’
Life has been the biggest teacher and I remember the time spent in schools and colleges as time spent making friends and accumulating life experiences. Beyond that, I think the educational system is programmed to churn out rats who will join the rat race. It abhors those who have an imaginative mind and who have a mind of their own. I’ve heard that things are changing now and I’m hopeful of the future, says Sandeep Mohan, director of upcoming film ‘Love, Wrinkle-free’ in an exclusive interview with ‘MovieRoundup’.
When did you realize you wanted to be a filmmaker and why?
I didn’t know that I wanted to be a filmmaker till I was 21. I had an interest in writing and reading and used to write a bit. Also advertising excited me and slowly I found myself gravitating towards good movies. Can’t remember an exact time when this accident happened :)
How did your family react to your decision of becoming a filmmaker?
I take my own decisions. I don’t have to ask my family what I need to do in life. Isn’t that what colleges are supposed to do – to make you sensible enough to take decisions in life. My parents were smart enough to leave me alone realising that this is where my heart lies. I thank them for that.
Love, Wrinkle-freeSo many filmmakers have come and gone. Did you ever fear that you may also be one among them?
I don’t have any such fears. Everyone in this world comes and goes. So the rule applies to everyone, not just filmmakers. I’m happy observing life, writing stories and filming them. The only thing that can stop you is yourself. Frankly I’m a positive guy who thinks about what is possible and don’t devote time to many negative thoughts.
How did the story behind ‘Love, wrinkle-free’ fall in place?
When I look around, I see that Urban Indians are getting more and more obsessed with looks, youth and smooth skin. A country that prided so much on the “internal growth” once upon a time is falling prey to”external” – look at the number of health clubs, skin clinics etc mushrooming around us. I wanted to explore this theme, and also the pressure that youth and looks places on a simple middle-class family, and that is how”Love, Wrinkle-free” was born.
Your film title ‘Love, Wrinkle-free’ and the plot pretty much go hand-in-hand however not all films follow the same. Do you think the title and plot should go hand-in-hand and why?
I can’t comment about others, but for me, it has to go hand-in-hand. The title promises something, so it makes sense for me to keep it as close in toneto the theme.
After having worked in films such as Sins and Good Night / Good Morning; how was it working with Seema Rahmani? How do you define her as an actress?
She is one of the most natural actresses in India and I was super impressed with her performance in Love, Wrinkle-free. She is a no-nonsense, intelligent and well-traveled actress and she brings all this experience to any role that she does. I am happy to have got an opportunity to direct her in my first movie. Also I’m glad that our ensemble cast of Ash Chandler, Shernaz Patel, Ashwin Mushran, Sohrab Ardeshir and Arika have done a fabulous job and Love, Wrinkle-free works big time because of them.
What challenges did you encounter in making this project take off?
Many challenges. Another name for indie filmmaking is ‘Challenges’ i think:)Right from getting the funds to casting to getting locations to marketing, everything is a challenge. In my case, my producers were based in the US, andhence I had the added responsibility of taking care of the Production of the movie. So my house became the Production office and from here, my dedicated team went about the pre production. I went to Goa countless times to get thingsorganised. All this really helped us keep the budget very tight. But frankly, I have no complains, i knew it was going to be challenging, and hence was prepared for it. So it is all fine and I thank my investors and everyone involved for trusting me with so much responsibility.
How do you define success for a filmmaker? Monetary or credentials or sheer satisfaction at the end of the day for having completed the film. Define it in your own words?
Each filmmaker has his or her own way of defining success. Success for me is being able to get funds to make my next film. Rest doesn’t matter, or it will fall into place. Passion drives me and if i am financially covered while following this passion, nothing like it. Otherwise, I will still fight it out. Frankly, I don’t like to define things. Each to himself or herself. Defining it makes it look too easy and formulaic, and I am no expert to define.
If you were to remake any film then which film would you have chosen and why?
I am not interested in making any remakes since I have many original stories. Sometimes i think that I might die before I am able to film all of them. So remakes, I will leave it to other filmmakers who have an interest in them.
There are zillions of aspiring filmmakers wanting to make it big. What will be your advice to them?
Follow your heart. Don’t get swayed by what I say or any other filmmaker says. Be independent, write a good script which has a heart, don’t follow any formulas, and go ahead and do it. If me, a simple middle class guy from Vikhroli can do it, you can too. Also do go and watch Love, Wrinkle-free on the 25th May and see how low budget movies are made :)
Rapid Fire:
Favourite film: Annie  Hall
Favourite actor: Paul Giammeti, Owen Wilson
Favourite director: Woody Allen
One actor/director you envy: Woody Allen
One film you’d love to be part of: Annie Hall

Interview for Dearcinema.com


This interview first came in dearcinema.com and Nandita Dutta was the interviewer...

 

Love, Wrinkle-free is crowd funded project: Sandeep Mohan


Sandeep Mohan
After travelling to festivals like South Asian International Film Festival, New York and Mumbai Film Festival (MAMI), Sandeep Mohan’s Love, Wrinkle-free released in theatres this Friday (Read review). The director talks about his film which rightly claims to be an ‘offbeat, light-hearted story about love going beyond cosmetic barriers’.
How did the idea for Love, Wrinkle-free originate?
While traveling and hanging out in cafes, I noticed that we Indians are getting extremely obsessed with the “external”. There are more Skin Clinics and Botox Centres and Hair transplant “dens” than Dustbins in cities. Also, this is a country that prided itself on the “internal” and gave the world Yoga and what not.
I felt that the pressure to retain youth for a longer period of time, with headlines like ‘40 is the new 30’ and ‘50 is the new 40’ does start to put a lot of pressure on families and I wanted to explore this theme through my film. It is not that I wanted to be judgmental, but I was amused and wanted to explore it deeper. I took the light hearted route since that is something that comes to me easily and also because I believe that you can strike home the point better when humor is used effectively. I hope I have been reasonably successful in that endeavor.
How did you go about looking for finance for your debut film?
Love, Wrinkle-free is a crowd-funded project. Once the script was locked, I along with my producers Giju and Kamal put up a website and invited likeminded, indie-spirited investors(that is kind of difficult) to support this movie. Over a period of time, things started rolling and soon we had just enough to start production. Step by step, we have managed to get just enough funds to release the film. Also we kept the whole process very transparent and professional with the investors which I think they found endearing and they have been very supportive. Also, we kept our budget very tight and finished the shooting in Goa in 22 days.
What has been your learning while making your debut film independently?
The biggest learning I have had after making this movie is that “I don’t know anything”. Going forward, as I make more movies, I look forward to using this to an advantage. Because sometimes knowing too much and becoming an expert can hamper. I would prefer to remain “clueless” about a lot of things so that I am not scared of jumping into the deep end even in my second film. Also I learned that as an indie filmmaker, you have to drive and lead the film yourself. Also lead by example. I learned a lot in these last 2 years and also unlearned a lot more in this 2 years…so let’s see where my life’s journey takes me from here…all I know is that I want to keep it adventurous….
Where did you get the idea for ‘edible lingerie’? Did it work in your favor while pitching it to producers or did it seem too much of a risk?
While writing the script, I didn’t let any other thoughts like which producer to pitch this script to, creep into me. I just wrote what excited me. Whatever themes that I wanted to explore at that phase in life, I have weaved it into the script. As for edible lingerie, I thought it is kind of interesting since I have always believed that we Indians are big time kinky except we don’t talk about it because of the fear that “what will our families think of us?” Also, underwear is something people hide, and don’t talk about and I think it shakes people out of their comfort zone when you talk about it upfront without getting sleazy…

The film has an interesting cast. Tell us about your choice of actors. All my actors be it Ash Chandler, Shernaz Patel, Seema Rahmani, Ashwin Mushran, Sohrab Ardeshir, Arika, Dasang, Marianne…everyone of them gave me a lot of their time. That was one criterion. I needed time with them to work on the characters. Also it helped that all of them were intelligent and well-traveled and brought a lot of their experience into the movie. I am happy I got to work with these actors and they all have become friends for life.
Also a special word of mention to my editor Shreyas Beltangdy, my DOP Binendra Menon, My Sound Designer Ravidev Singh, Art Director Pradipta Ray….all these guys and my entire team went out of the way to pull off this indie film.
Any interesting incident related to the making of the film?
In fact, the non-seasonal rains in Goa during our 22-day shoot really kept us on our toes. My entire team would be praying that it doesn’t rain, and then it rains. So finally I had to make the decision to keep going and thus rain has found its way into Love, Wrinkle-free. This is probably what they call as the magic of cinema: Be open to anything…
What are you working on next?
I have a few scripts with me, but the one theme that I want to explore the most would be my next film. I want to start it by December this year.
Tell us about your background.
I grew up in Trivandrum, Kerala. Then, I moved to Mumbai when I was 21 and assisted Mr. Bhansali on Hum Dil De Chuke Sanam. After which I left for Bangalore, joined advertising as a Copywriter, worked in close to 25 companies since I was this restless sort of guy, then came back to Mumbai and started writing weekly TV shows with Abhinav Kashyap, after which I started independently directing music videos, corporate films, shorts etc. before moving into my first feature.

This blog was written for moifightclub a few days before the release:

 

Sandeep Mohan’s Love, Wrinkle-free : Left brain VS Right brain

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Sandeep Mohan‘s directoral debut, an indie feature titled Love, Wrinkle-free is releasing this friday.  It stars Ash Chandler, Shernaz Patel, Seema Rahmani, Sohrab Ardeshir, Ashwin Mushran, Marianne Borgo, Arika Silaichia, Giju John and Theron Carmine.
Making an independent film is a difficult task for sure. But releasing it is almost impossible. Thanks to PVR Directors Rare section, the film is getting a limited release. But what is the director thinking? Will he survive? Over to a casual conversation between his Right Brain (RB) and Left Brain (LB).


LEFT RIGHT LOVE WRINKLE FREE…
Right Brain Sandeep (RB):
Hey bugger, heard that your movie Love, Wrinkle-free is releasing today or something?
Left Brain Sandeep(LB):
Yeah man, labour of love of 2 years…
RB:
…even I have a story….you wanna listen…see it is about racism, discrimination between white dogs and black dogs…
LB:
Not today ya…you know, I worked bloody hard on Love, Wrinkle-free for 2 years..do you even know what that means…two fucking years of my youth…
RB:
ok, now you are telling me that you are in your youth?!!
LB:
See, precisely why i wanted to make Love, Wrinkle-free…how can one stay young forever…why this obsession to photoshop every damn wrinkle out of your butt..i mean why…
RB:
but why blame Adobe Photoshop bugger…they are not like some Taliban…
LB:
love, wrinkle-free is for people like you…Seriously man, Love, Wrinkle-free is the Hyderabad Blues of this generation…
RB:
it is good to be an optimist, but don’t be stupid bugger…
LB:
What stupid…If a middle class guy like me could make a movie, things are changing in india and Indian films…
RB:
Yeah but the roads to the Love, Wrinkle-free theatres are full of craters…
LB:
Fuck roads ya…roads will soon be obsolete…helicopters will be the norm…people will go to watch movies in helicopters soon…
RB thinks about it…
RB:
Are you planning to make a Love, Wrinkle-free part 2
LB gives him a cold stare…
LB:
i hate sequels…the only sequel i liked was Waisa Bhi hota hai part 2! in any case, does life have a sequel?
RB:
deepak chopra thinks so…
LB (ignoring him):
…the reviews have just started coming in yaar…
RB:
Does it matter if they say good or bad…you still have to take care of your 2 year old daughter when your wife goes to work tomorrow no?
LB (ignoring it again):
The initial reviews have been pretty good…
RB:
Come bugger, don’t stress yourself, let’s go and have a fruit salad now
LB:
Here I am talking of my dreams, and you are thinking of Fruit Salad?!!!
RB:
…why can’t you dream of Angelica Jolie’s bee stung lips instead?!
LB:
Movies are my passion idiot…passion…you know what that word means?!!! Bee stung lips it seems?!
RB:
Eating fruit salad is my passion…what is wrong?!
LB:
…my movie, I am setting her free today to be judged by the world….i feel naked…
RB:
Put on some edible lingerie….
LB smacks RB on his head.
LB: i hope…Word of mouth is going to take Love, Wrinkle-free to a lot of people. It is a fun film man…and there have been so few fun films in the indie space…
RB(Moaning):
Who do you think you are…some kinda indie-saint to spread happiness all around…anyways, don’t worry, not many know about your movie? There is not even a bloody hoarding…even underwear companies have hoardings these days
LB:
Love, Wrinkle-free is not an underwear…it is my movie…my dream can’t be hung up there in some bloody hoarding for all and sundry to stare at…
RB:
You are losing it bugger, big time you are losing it…
LB:
I can feel it…lakhs of people are waiting for the Box Office to open tomorrow, and just like when the new version of the iPhone hits the stores, there will be a stampede to buy tickets…I can feel it…there is like a love, wrinkle-free wave out there…
RB(looks around):
Where?!
LB feels the air around him. Closes his eyes
LB:
Feel it…and you can feel it only when you stop talking…
RB closes his eyes and tries hard to feel it
RB:
..ok ok…now let’s go…even your bloody uncle Woody Allen never said that you can’t have feni or fruit salad on the day of the release..
LB:
Watch your words!!! And don’t get Woody Allen into this mess man…
RB:
…Everyone should pick their own nose….or Everyone should wear their own underwear
LB:
What is that?!
RB:
i have quotes too…like Allen
LB:
Allen is classy man…you are cheap…
RB:
Hey how are you guys related?!
LB gives him that look….and walks away hurt
RB:
Bugger, I was just kidding of course,…chill ..where are you going?
LB:
I am going home…I think I have some edible lingerie at home…i am starving…
RB:
Got some feny?
LB nods. RB runs after him and joins him…
RB:
…you did your best bugger…put your heart, soul, brain and groin into the film, now let’s have some feni and edible…whatever that thingy is…, dig into your next script, and soon you will be into your second film mode….c’mon man…this is the 21st century, you gotta be cool..

EXPERTS ARE FUNNY PEOPLE AND SHOULD WATCH “LOVE, WRINKLE-FREE” AND RELAX A BIT!

I should be chewing my nails nervously since my first film as a Writer-Director is releasing in 40 days(on the 25th of May). But I am not chewing it since I have never enjoyed the taste of nails, though I have heard that it is an acquired taste. Another thing that I have never enjoyed is ‘expert opinion’. I can’t help but smile when I hear an expert – be it in films or cricket. I always find them funny.

In my profession, as an independent-spirited scriptwriter-director, I come across a lot of Experts. These are folks who talk so well that you wonder what they are doing in films. They would give Rahul Gandhi a run for his mom’s money if they joined politics. Also an amazing thing about these experts is that they know exactly “what does not work”, but not “what works”. If you ever get to meet one, mostly they reside in Andheri West, watch them speak passionately about why it is critical that your first film is a ‘safe’ one. They also smartly let you know that once you are more established, you can then make the movie that you always wanted to. Of course they don’t factor in for lifestyle diseases like Diabetes, Cancer, BP, High Cholesterol, and road accidents that have been known to play spoil sport with these plans. When I told them that the Mumbai potholes remind me of my wrinkles and impending death, and I wanted to make a few not-so-safe movies that I believed in, before one of these nicely designed potholes takes my life, they laughed at my ignorance. Experts laugh at ignorant people for a living. I love it when humans laugh. Even when the experts laugh, they look almost human to me. The sound of laughter is always a stress-buster. These experts need it the most. I hope they watch Love, Wrinkle-free, smile and go home happy.

Love, Wrinkle-free is a light-hearted comedy about how Urban Indian society is getting more and more obsessed with looks and smooth skin. I will be honest when I say that if not for these Experts, “Love, Wrinkle-free” wouldn’t have happened. I will always respect them for being so consistently negative since it used to have the opposite effect on me. Right from school days, I have believed that authority is to be rebelled against. Rebellion is fun. For a cause or for no cause. And naysayers like these guys had a role to play in pushing me, a simple middle-class guy staying in Vikhroli West, to try the impossible – to go ahead, raise funds, cast, negotiate, scout locations, get together a like-minded team, and direct my feature film. Adding to the experts’ worries, I wanted to make an Indian English movie. Recipe for Perfect Suicide, they said. I relaxed; at least I managed to extract one positive word from them “Perfect”.

Walking around in cities, and cities are where I have grown up all my life, be it Trivandrum (peaceful but limiting), Mumbai (crazy but potholes worry me), Bangalore (beer, girls and advertising days) or Pune(loneliness), I saw that the world around me was evolving very fast, but the movies and movie makers were mostly unable to keep pace with these changes. I remember closely watching advertising commercials and wondering how these guys are able to get it so right – the right language, the right casting, the right tone, so in touch with the times we are living in. They had their ears on the ground. Unlike in the film world. Here, the producer moves from his home to office to locations to home in cars without his feet touching the ground for more than a few steps. At times I wonder, it would be fun to find out as to how many steps they actually walk in a day. They might be walking more on their treadmill than on the ground. So that should possibly explain the lack of grounded scripts getting their investment!

So we should not be too surprised that Goa is shown the way it is in Hindi films. Goa for many of these “Experts” is a getaway to a world full of bikini-babes, free sex, drinks and drugs. When in Goa, these guys worry about the sun, their wrinkle-free complexion, and rent cars. Renting a car to escape the sun in Goa when you came all the way to bask in it and have some fun! So like I said earlier, these are seriously funny people. Except they are yet to realise this themselves!

Except Kabhi Ha Kabhi Na, and a few other films, can we think of any other movie that got the world of Goa right in the last 10-15 years? It has been my dream to make a Goan movie, and do justice to it. So I listened to my heart, used the collective power of my indie heart, brains and groins to write and direct a Goan movie. This fun-movie is releasing through PVR Directors Rare at a PVR near you. Please do go watch it and let me know what you think of it. The micro-mini budget and the 22 days of shooting didn’t stop us from bringing out a Goa which you would have never seen in Indian movies in the last 10 years.

Now, the Experts say, why make films in English in India? Britishers have left long back. I realised that too. In Love, Wrinkle-free, we used English since the characters are mostly from the Roman Catholic world. And they speak this language there. No rocket science! Also, I google searched and found that India has the second largest English speaking population in the whole world. And an Indian English newspaper, Times of India, is the largest circulated English language newspaper in the whole world. Not to forget the amount of ad commercials that is made in English. The reason one makes a film in Indian English is because many of us speak and understand this language. We might speak with an accent, but the fact is we get it and are moved emotionally, provided the story-telling is Indian. Love, Wrinkle-free is an Indian indie film in Indian English. Let the funny experts stick to their opinion, but the truth is that there are a sizable number of people who would not mind watching a well-made, fun-filled, entertaining Indian English film. That is my belief. If we had more advertising funds,we would have created more awareness about the movie. But I refuse to complain. I am thankful that my first movie is getting released. I am happy.

So the point of this blog is this. Do listen to the experts in the film world and in the media with a smile when they say why something “won’t work”. And use your own brains and heart, and come watch “Love, Wrinkle-free” in the first 3 days of its release. I can guarantee that you and your friends will have a fun time and will come out of the theatre with a smile on your face. Take care, rebel against experts, chew your nails only if you like it (and not because they say it improves your sperm count!). And yes, Love, Wrinkle-free always…Now see you on the 25th May at a PVR near you
Visit www.lovewrinklefree.com for more info.

The Love, Wrinkle-free trip so far



Okay so it's two hours past midnight, and I am sitting at a bar stool. No, not in a pub, but in my home office. This bar stool is one of the few material possessions that I have. So I am sitting on this bar stool and thinking of the last 18 months and my life's journey which incidentally followed the same path as that of my first film "Love, Wrinkle-free". 

It all started in March 2009. Though I had heard the word, I never gathered the courage to utter the word, but that month, I said it.  "Independent". I decided I wanted to be an Independent filmmaker. What does that mean?! Well it means fuck what the world says about how to make movies, and going ahead and doing it the way your heart says. So the world says: Make a Hindi film. I say "Sorry brother...my film is set in Goa, and a Roman Catholic family doesn't speak in Hindi in Goa.". The great thing with listening to your heart is that you die a satisfied man, and you become a better lover(more of it later towards the end of this blog:)). 

Once you utter the "Independent" word, then you got to get into action mode. Because no one else is going to push your ass forward. Lots of story ideas, but I zeroed in on a theme that I wanted to explore through my first film. The idea of "Wrinkle-free" was the starting point. I started to feed it, nurture it...

Writing is a lonely profession. There is no body else you can turn to or who will understand what you are going through. I had my wife of course who was very supportive. But she had to leave for office in the mornings, so I would stare at the blank page for a while, go out for a walk, come back, tell myself to sleep for a few hours...that routine was not going to help the script. The problem with me was that I wanted to be left alone, but didn't want to be lonely!!! So I had to push myself into something new, something which I haven't done earlier.

I decided to step outside the home to write. At home, all I could think of was sleep and dream:)

So got into an arrangement with a friend Ashutosh Pathak to lend his extra room to work for which I was willing to pay a princely sum of Rs.1000/- month. He was sporting enough to allow me to use his extra room(close to the bathroom). I loved that small room. Excitedly I carried my iMac which I call MacMohan to this room, made myself comfortable and set about the task of creating  "Love, Wrinkle-free". The entire April and bit of May, I used to write from morning till evening. Come back to my home and wife, go for a game of badminton. Repeat the process the next day. I enjoyed every bit of those two months. There is nothing better than working on your script, except I wish I was getting paid for it, but no pain no gain as they say!

Once the first draft was done, i started showing it around. Started getting good reviews. Then started seriously thinking of raising some funds. I had written the script of Love, Wrinkle-free keeping in mind the difficulties involved in raising big funds. So essentially wrote a script to suit a low budget investor. Initially i made a few mistakes, approached the wrong producers who wanted a lot of say in creative decisions which i was not comfortable with, so I walked out on them. I was telling myself - I don't give shit to others, so why take shit. That is my attitude even now. The main thing is your film, nothing is bigger or smaller than that. Around this time my friend Giju stepped in. He was in the process of setting up a Production house in India, and this small budget film came in at the right time. Also the fact that he and me were friends in childhood helped too. Also he is a singer-dancer who had even released an independent album which the big guys refused to entertain in Mumbai. So I guess he could see where I was coming from. He was willing to invest part funds, and the rest of it, he was confident of raising from the US, where he resides and works. 

The next 3 months I invested in putting together a team. Since Giju and Kamal (the other arm of Tiranga productions) were based in the US, I took over the Pre-production. So in some way I was the Line Producer too for this film, which I think is good because when a low budget independent filmmaker can take his own decisions, things move faster. Also this way he can keep the budget in control much better. 

It took me 2-3 months to shortlist a team of passionate youngsters who would become my backbone during the shooting later in Goa. Binendra my Cinematographer friend came in early into the team. Then Priyesh. Followed by a fabulous bunch of guys like Podu, Sanjog, Joseena, Rudro, Sumod etc, a long list actually

We didn’t have a production office. So my house became the Production office. My bar stool where I am sitting and writing this blog now became my chair from where we went about the task of planning this film. At one point just before the shoot in September, my house was so full with Production materials, Boxes, and crew members that I had to request my wife(and my two month old daughter) to go on a trip to Delhi where her sister stays, for a month and a half. The team members worked and ate at my home. A maid cooked for us. Some of them like Binendra stayed at my place. We bonded like friends. I got to know them, they got to know me. It really helps when they know you. Then they can understand you without you uttering a word in times of crisis during the shoot.

And all those moments shared together before the shoot really helped during the shoot. Giju was there for the shoot  to look after the on location production issues. That was a huge blessing since I could focus on my work. The shoot was an amazing experience. I remember waking up every day at 3 in the morning for planning out the days work. The countless Goa trips that I had done before really helped since by now I had met a wonderful group of people in Goa like Marianne, Karen, Belinda and Carmelline etc who went out of the way to help us through the issues faced during the shoot.

But despite the non-seasonal rains, the generator refusing to work one afternoon, and the countless other niggles, our team completed the film exactly on schedule. Not a single day extra than planned. Everyone worked their pants off to achieve this.

Now the post production...Again we had to be on tight budget. Taking a studio in Mumbai for editing would have easily cost us around 3 lakhs or more. So I got my Mac Pro which I used to give out for rentals in Chennai to Mumbai. Took a temporary office for 3 months from a friend for nominal rent, and started editing with a talented editor Shreyas, who has become a good friend. We used to work from afternoon to early morning four. Enjoyed every bit of this. Then for the last two months, I got the machine home, and it resides in my bedroom where minor finetuning keeps happening. And when the editor comes in, I shift my little daughter Amelie to the other room so that we don't disturb her sleep. I like watching her sleep...Anyways she smiles a lot these days. I think she gets the joke. And the joke is me:)))I guess what I am trying to say is that Independent filmmakers can't whine, they got to find solutions.

Now tomorrow we start the Digital Intermediate process...and by April 10th, the film is going to be ready. 

Can't sleep hence writing down these memories....don't know whether any of these things made any sense to anyone. If it did, great. If not too, great:) Need to mention the support that I got from wonderful human beings and talented performers like Ash Chandler, Shernaz Patel, Sohrab Ardeshir(for letting us conduct rehearsals in his beautiful house, amazing person), Seema Rahmani, Ashwin Mushran, Marianne Borgo...a long list actually...Dasang, Arika.....goes on...

Will write more later. My bum is paining sitting in this bar stool and typing. Okay i was typing, not my bum! Whatever I am sleepy now. It is 3.30am. Take care and Love, Wrinkle-free. Stay positive, smile and think "POSSIBLE"